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Washington D.C., or as all the cool kids call it, “The District” has been a fertile field for punk and post-punk for many years. Such genre-defining acts such as Rites of Spring and Bad Brains have influenced a new generation of artists in D.C. to take punk and post-punk to a whole new level.

Notes the new release by D.C.-based A Day in Black and White is something that you could almost call post-emo. Eschewing the inane lyrics and poppy rhythms of bands like the Postal Service, Notes brings thoughtful and introspective lyrics, weary vocals, and insistent instrumentalism together in a weathered, sonic soiree.

The first track, “Tinnitus” is a psycho-fuzz appetizer of a minute and twenty seconds that drops you quickly into the driving “New Energy.”

Track Four, “Lame Duck” is a sedate riff with an early Cure-like drum track that I can’t stop playing over and over while I work on this review.

Other tracks get more boisterous then “Lame Duck,” though the entire album never falls into clichéd dissonance, like the aftermath of a wrecking ball against an unreinforced masonry structure. Notes maintains an understated sense of dignity which illustrates just how together this band is.

There is a fine balance between the contemplative and the raucous – like a good plate of Pad Thai, the mélange of sweet, sour and savory conspire to create something that you can listen to all the way through to end.

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