A great album of pure sunshine sixties pop from Portage, Michigan's Jeremy. A puzzling character, it seems as though every album Jeremy puts out is entirely different than the last – he's put out a record of compositions for grand piano, a solo guitar album, an album of extremely religious songs, an electronic album with some intense shred guitar solos and this album of pure sunshine psyche. The thing that's so unusual about this is that Jeremy shows remarkable skill at each discipline – the guy's a real monster shredder on the guitar whether he's conjuring old Creedence type sounds, or metal shred or fuzzed out wah psyche. His six-string savvy comes in handy on this power pop powerhouse.
It's incredible how true Jeremy is to the sunshine sound. Jeremy's super smooth falsettos immediately evoke the Curt Boettcher sound of the Millennium/Ballroom sessions or Sagittarius. Byrds-like jangling guitars and infectiously driving beats backs them up. Jeremy even hauls out the backwards guitar and sitars for Big Day Coming, which, if I'm not mistaken is an incredibly cheerful ode to Judgment Day.
Speaking of religion, Jeremy is on a Christian path and the lyrics reflect it in songs like Highway To Heaven, What God Wants, Heaven To Pay and Big Day Coming. This could be an issue for some listeners but fans of the sixties sounds that inspire Jeremy are probably used to the spiritual devotion that fueled so many classic albums. I didn't find it oppressive because Jeremy encases his message in the sweetest psychedelic sounds you're going to hear this side of the sixties.
I'd love to throw this on the car stereo some hot sunny day, head out on the interstate and just drive.









