Sparse, minimal and distorted, Mossa sprinkles elements of microhouse, minimal techno and even glitch throughout Some Eat It Raw. These fourteen tracks aren’t going to make you want to get up and shake your ass (unless you like shaking your ass to slow and sometimes Nintendo-esque blips and beeps), but then you don’t listen to Mossa to get your groove on.
This doesn’t mean Mossa stays away from the heavy, incessant heart-pounding beats that can shake a dance floor. Three tracks in, heavy percussion drives “Bottled Love” and “Brasil ’99,” which immediately follows. “Parking Lot Dahlias,” however, feels a bit off-tempo and definitely not dance-oriented.
While many of the tracks begin extremely stripped down and simple, Some Eat It Raw is anything but. Laced with micro voice samples, house-influenced teases in “Anagram” and “The Meat in You,” and the forlorn violins cued up halfway into “Sure Kill,” Some Eat it Raw is an eclectic listen.
